There’s already video of tonight’s Rolling Stones concert on You Tube! If you go there, you can see video of The Stones doing “Honky Tonk Women” with Bill Wyman, and “I’m Going Down” with Jeff Beck. There may be more by the time you read this!
During my two week break from writing this column, I have been super busy. I saw two Phil Lesh shows in Manhattan, two great shows with my friends, Dinamita, my new favorite band, The Blues Project and the Paul Butterfield Tribute at The Bearsville Theater, The Cheating Hearts played in Manhattan for the first time on a bill with Norah Jones, and I just came from the Graham Parker and The Rumour show at The Bardavon. Whew! I’m exhausted! LOL.
The first night of Phil Lesh didn’t really speak to me. Maybe I wasn’t listening. But the second night spoke right to my heart and soul, especially the second set, when they went from “Wharf Rat” into “Death Don’t Have no Mercy” into “Viola Lee Blues” to end the set. Then they came back and did “Saint Stephen” into “Satisfaction” for the encore! It was just like a good old Grateful Dead show! BTW, if you’d like to listen to soundboard tapes of any of the recent Northeast Phil Lesh shows, they’re all available for free streaming on Taper Rob’s Ustream channel. Google him!
The Paul Butterfield Tribute at The Bearsville Theater was great, especially the songs Jimmy Eppard sang. Butter’s music really lends itself to Jimmy’s voice. “Love Disease” was a highlight! And The Blues Project were awesome! They just sat there and played their asses off! It wasn’t an exciting rock and roll show, but they held me rapt with just the music! Those guys can still play!
Happy Thanksgiving to all our readers. Steve and I have the day off from our regular jobs and while we have this opportunity we like to make small improvements to HVmusic.com.
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— Steve Wehr
Greetings loyal readers! I hope everyone made it through Hurricane Sandy without any major damage or losses. How many more American cities will have to be underwater before we decide to do something about our energy deathwish junky mentality? Anyone with a drop of foresight saw this coming a half century ago, but I guess we just hadn’t squeezed the last dollar out of the last drop of oil yet, so nothing could be done, right?
There’s a hurricane comin’ on, my son’s visiting from California, and they cancelled tonight’s Social Distortion show at The Chance, so we’re gonna go straight to this week’s live music picks.
Have a great week, and please don’t forget to tune in to The Little Delaware Jamboree on WIOX, 91.3 FM, and on the web at www.wioxradio.org, every other Monday evening at 8:30 for my radio version of this column. The next show will be November 12.
Fred Perry is the owner of Reservoir Music Center on Route 28 in Kingston, and founding member of Alt-Country supergroup, The Brooklyn Cowboys, is from a 3rd generation musical family and lives in the Hudson Valley, where he does what he can to promote live music.
It was just a little over a year ago that I wrote the obituary for my friend, Eugene Geary, the most rockin’ guitarist I ever played with, who I wrote a couple of albums worth of songs with, and who passed away last October 11th. We were friends since we were kids, and there is no replacement for him as a guitar player, friend, and musical partner.
Shortly after “Huge” passed on, a friend gave me a CD of the last songs we wrote and recorded together, one of which won a certificate of achievement in the Billboard Song Contest. The CD never left my car player, and, in fact, it’s still there, because my car burned up last April. I managed to save the CD player with discs intact, but I hadn’t gotten around to taking it apart yet to remove the discs, so, when another friend gave me a new copy, I was very happy to relive it again. As I drove around listening over and over, I realized that the anniversary of his death was upon us, and started thinking about the way we wrote and recorded those songs. Most of the songs we wrote together started with lyrics that I wrote, which Huge then wrote music for. For these last few, we changed the way we worked.
The initial spark came from my friend for these songs. He had the germ of the idea, and then we adopted the method Mick Jagger and Keith Richard used when they wrote together. Huge played the riff over and over, while grunting and making primordial noises in the back of his throat. I stood with pen and paper and translated these sounds into English, just like Mick used to do with Keith. For every record I ever made, my operating slogan was always, “If it’s good enough for The Stones, it’s good enough for us”, which is why every track we ever recorded was done live in the studio, with everyone playing in the same room at the same time.
Howdy y’all! Last week I was remiss in my duties. A very important show flew under my radar. Even though I knew about it and had been looking forward to it for weeks, I forgot to recommend it in this column. The show in question was Python Soup at The Bearsville Theater. A supergroup of sorts, Python Soup is nonetheless a showcase for the percussive talents of drummer Simon Phillips. That said, I would be doubly remiss if I didn’t say that the great Don Byron was mind blowing on clarinet, bass clarinet, and saxophone, and Scott Petito anchored the entire shebang beautifully on stand up and electric bass. David Spinozza threw in some tasty licks on guitar, and Pete Levin layered the music with lovely keyboard work. But, for me, as a drummer, and even for the non-drummers in attendance, it was mostly about the unbelievable stick work of Phillips! The man is simply and definitely one of the greatest drummers in the world today!
Simon Phillips first came to my attention as the drummer on the great “801 Live” album, recorded with Brian Eno and Phil Manzanara. The album opens with a cover of The Beatles “Tomorrow Never Knows”, which they abbreviated to “TNK”. It is an almost entirely different song, although still very recognizable. The beat that Phillips laid down for this song is truly remarkable, and I never get tired of listening to it! That opening track opened my eyes to the talents of Simon Phillips and put him on the map as one of the premier top level drummers in the world! Take a listen to it. It’s amazing, and stands with The Beatles version as an equal!
I didn’t know at the time, but this was Phillips first credited appearance on record. I was probably familiar with his name as a session musician, so didn’t realize that this was actually his debut! And what a debut it was! After that, Phillips went on to play with a who’s who of A list musicians, including all of Pete Townsend’s solo work, Jeff Beck, The Who, David Gilmour, and many others. When Toto drummer, Jeff Porcaro, died suddenly as the band was preparing to go on tour, Phillips was the only drummer they considered to replace Porcaro, and went so far as to say that if Simon couldn’t do it, they would not tour!
So, I stood right behind the drums and hung on every note! Phillips’ playing is so inventive, creative, complex, and powerful, that my attention was riveted for the entire evening! I loved to watch as Phillips easily switched between leading with his right hand and his left, not an easy feat for a drummer, and one that very few drummers can do successfully! And what a sweet man! This was one of the best shows I’ve seen in a very long time, and certainly the most musical. The only thing that compared, recently, was The Grandmothers of Invention, who I also heartily recommend!
Simon Phillips, drummer extraordinaire! Don Byron, master of eclectic horns! Scott Petito, rock solid anchor! David Spinozza, (who by the way, has recorded with John Lennon AND Paul McCartney, AND Paul Simon, AND Dr. John, and, and, and… just about everyone), tasty fretmaster! And Pete Levin, fillin’ in the space on keys! Like I said, a supergroup! Catch ‘em if you can! Python Soup!